![]() This hype was helped by the age of enlightenment, which called for simpler, more rational designs than the opulence of Rococo in the first half of the 18th century. After the subsequent discoveries of Herculaneum (1738) and Pompeii (1748) and during the slow process of unearthing their treasures in the subsequent decades the whole of Europe fell under a classical hype. In the second half of the 18th century there was a real rage for everything Roman. It is called ‘Queens Plain’ and can be found here: link Queen Charlotte’s service was a form which is also still made. This commission cemented Wedgwood’s reputation and made creamware the most popular type of pottery in Britain. Wedgwood’s first creamware was commercially somewhat successful, but it only became truly popular after Queen Charlotte ordered a tea set in 1765. It is made of white clay with a white lead glaze. Creamware is not porcelain, the source material and process are very different, as is the final product. By doing so, he was looking to compete with European porcelain production. Creamware was not invented, but certainly perfected and popularised by Josiah Wedgwood in the mid 18th century. ![]() ![]() The origin of Creamware and a fascination with all things classicalĮdme is made of creamware or queensware, the names most commonly used in English for cream coloured earthenware, we will stick with creamware.
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